MIA RODRIGUEZ
  • Home
  • Gallery
    • Signs
    • Nature
    • People
    • Architecture
  • Thoughts

Thoughts...

Awareness: Connor Walton

1/28/2019

0 Comments

 
Picture

Exhibitions

2013 Elements, Beaux Arts Bath, UK
2012 Allegories of Painting, Dunamaise Arts Centre, Ireland
2012 Allegories of Painting, Galleri PAN, Oslo, Norway
2011 Allegories of Painting, Galleri Nexus, Denmark
2010 New Paintings, Beaux Arts Bath, UK
2009 Landscape and Still Life, Jorgensen Fine Art, Ireland
2006 Philosophical Paintings, Jorgensen Fine Art, Ireland
2003 New Work, Jorgensen Fine Art, Ireland
2003 Shelter Portraits, Jorgensen Fine Art, Ireland
1999 Conor Walton, Jorgensen Fine Art, Ireland
His eleventh solo exhibition will take place at the Peppercanister Gallery, Dublin, in November 2013.

Selected Group Exhibitions
2013 Janus, Peppercanister Gallery, Dublin
2012 Christmas Exhibition, Peppercanister Gallery, Dublin.
CK Contemporary at the Miami Art Fair, Miami Beach, USA.
Wexford Opera Festival Exhibition, Greenacres Gallery, Wexford (also 2009)
Travelling Exhibition, Galleri PAN, Geilo & Stavanger, Norway.
Group Exhibition, Windsor Fine Art, New Orleans, USA.
Dublin Biennial, Point Village, Dublin.
Group Exhibition, CK Contemporary, San Francisco, USA.
Apokalips, Grattacielo Pirelli, Milan, Italy.
Postcards from a Small Island, Beaux Arts Bath, Avon, UK.
12 X 4, Gormleys, Belfast.
RHA Annual Exhibition, RHA Gallagher Gallery, Dublin (also ’97, ’98, ’01, ’04,’05,’07, ’08 & ‘11). 

2011 La Situazione, Spazio Giuccardini, Milan, Italy.
The Boyle Arts Festival, Boyle, Co. Roscommon, (also ’04, ’05, ’09, ’10).
Nude – Blatant Exhibitionism, Kenny Gallery, Galway.
Level, Dunamaise Arts Centre, Portlaoise (also 2010).
Life Room, Bourn Vincent Gallery, University College Limerick.
2010 The Myth of the True, Palazzo Litta, Milan, Italy. 
The Guardians of the Spirit, Castello di San Leo, Italy.
30th Anniversary Exhibition, Beaux Arts Bath, Avon, UK. 
Kitch Biennale 2010, Palazzo Cini Gallery, Venice, Italy.
Julesalong, Gallery Pan, Oslo, Norway. 
Christmas Exhibition, The Scottish Gallery, Edinburgh, UK (also 2009).
2009 Best of BP Portrait Painters, The A Gallery, London.
Mick O’Dea Selects, Lavit Gallery, Cork. 
CASe, Lavit Gallery, Cork (also 2008).
Summer Exhibition, Newtownbarry House Gallery, Wexford (also 2008). 
Christmas Exhibition, Beaux Arts Bath, Avon, UK (also 2008).
2008 Kitch Biennale 2008, Pasinger Fabrik, Munich, Germany.
Summer Exhibition, Jorgensen Fine Art (also 1997, 1998, 2000, 2001, 2003, 2004).
Spring Exhibition, Jorgensen Fine Art (also 1997, 1998, 2004, 2005, 2007).
2007 Christmas Exhibition, Jorgensen Fine Art (also 1999, 2001, 2002, 2003, 2005).
Group Exhibition, Killarney Art Gallery. 
Summer Exhibition, Mellerstain House, Berwickshire, UK.
Artists of Fame and Promise, Beaux Arts Bath, Avon, UK. 
New Realism, The Scottish Gallery, Edinburgh, UK.
2006 Highlights of the Taylor Art Prize, 1878 – 2005, National Gallery of Ireland.
Mirror Image, Artonomy, Cornwall, UK.
2005 Portrait Ireland 2005, Newtownbarry House Gallery, Wexford.
BP Portrait Award 2005, National Portrait Gallery, London, UK. 
The Irish Show, Wykeham Gallery, Hampshire, UK
2004 RHA Banquet Show, RHA Gallagher Gallery, Dublin (also 1997).
Additions 2004, National Self Portrait Collection, University of Limerick
2000 Florence Biennale in Dublin, Ashford Gallery, Dublin
1999 Florence Biennale, Fortezza da Basso, Firenze, Italy.
1996 Two Touches, Three Tastes, Ormond Gallery, Dublin.
NCAD Drawing 250, RHA Gallagher Gallery, Dublin.
Oireachtas Exhibition, Guinness Hops Store, Dublin (also 1994).
1993 Taylor Exhibition, RDS, Ballsbridge, Dublin.
NCAD Degree Show, RHA Gallagher Gallery, Dublin.
This artist, Connor Walton, is particularly interesting to me because even though his work is done traditionally it often has a twist to make it modern. His focus is on people, where we come from, and their destruction. Walton's subject matter is often interesting and odd which I enjoy. I also admire his use of social media like facebook to complete his work. Through out the process of making the work, Walton shows process shots and uses comments to improve it as well as comparing work he made improvements on to the original to better inform his larger work. As a part of this the image of the skull with a paper crown is used many times in Walton's art, and yet each time there are new nuances.

Education

1993 BA (Joint Honour's Degree in the History of Art and Fine Art), NCAD, Doublin

1995 MA in Art History and Theory 
University of Essex, UK (awarded with distinction)

1995-6 Studied in Florence with Charles H. Cecil Less
Picture
Picture
Picture
Picture
Facebook
0 Comments

Experience: The role of government in comics

1/28/2019

0 Comments

 
Picture
This was a particularly interesting presentation given by Kirk O'Brien, a local artist and instructor. I have never really concerned myself with comic books, but this presentation brought to light many aspects of the world that have strengthened my interests in it. Honestly the types of comics that the Comic Book Authority are the reason that I have never been a big fan of the idea of comics.

I always saw them as something for young children that are not very deep in content, but now my eyes have been opened to the politics of comics. On the issue of whether or not a comic should be censored, in my opinion it should be the job of the parent to decide what is safe for the eyes of their child. In the beginning the shift from being primarily for kids to young adults may have been startling for parents, but if they are concerned about what their children are seeing they should not buy it in the first place. Like with movies, there are things that young children and even teenagers should be discouraged from seeing, but with movies there is a system of ratings that broadcast this to parents, instead of not allowing something to be printed in the first place. This kind of system, while it does do some harm, allows for people to create what they want and still warn against harsh or inappropriate content. 
0 Comments

Basin harbor club day 3-4

1/27/2019

0 Comments

 
0 Comments

Broken Phone Day 4-finish

1/27/2019

0 Comments

 
Picture
0 Comments

Basin harbor club: days 1 and 2

1/10/2019

0 Comments

 
0 Comments

Broken phone: Days 1-3

1/10/2019

0 Comments

 
0 Comments

Connect: “Monuments for a New Era” and “States Are Using Preservation Laws to Block the Removal of Confederate Monuments.”

1/10/2019

2 Comments

 
For this connect post I read “Monuments for a New Era” and “States Are Using Preservation Laws to Block the Removal of Confederate Monuments.” One major theme that both articles point out is the issue with Confederate Monuments, which they then take to a local level for public opinion. From the people interviewed and the situations brought up in the article it appears that the only people who want the monuments to stay exactly the way they are are those from the “Unite the Right” rally and conservative politicians.
In “Monuments for a New Era” even people who thought the monuments should stay up, wanted some more context added to them. I think the primary issues with these statues is that they are labelled monuments and put up on a pedestal. One of the people interviewed in this article, Kenya Robinson, made the argument that “like textbooks that rename Transatlantic human trafficking the ‘Triangular Trade,” renaming monuments would take away from the struggle for equality. However, I think it does the opposite. By calling the statues monuments it is saying that the city, state, or country holds that person and what they fought for up in high regard. Using a word like memorial to describe it, which has the connotation of death and struggle, would emphasise rather than detract from the fight for racial equality.
A major issue in this whole debate, is that even when communities come to a consensus about what to do with the monuments, in many cases replace them, they are blocked by the legislature. According to “States Are Using Preservation Laws to Block the Removal of Confederate Monuments,” in Alabama, an extremely conservative state, the community decided they wanted to replace a statue that was hit by a car. However, the state legislature, right after this decision was made, passed a law that prevented statues older than forty years from being replaced. In my opinion this lack of consideration for constituents by the politicians representing them is disheartening. I can understand a divided town leaving them up, but when the town has made the decision it goes against the public will to pass laws solely for the reason to block the decision. In all honesty if a state or district wants to preserve the public art when the public is against it they should give it to a museum that can use it as a learning tool as opposed to ignoring the people. ​
2 Comments

    Mia
    Rodriguez

    Is currently an architecture student at the University of Virginia. She shifted from realistic to stylized depictions of decay to now exploring space and nature abstractly. 

    Categories

    All
    Awareness
    Connect
    Experience
    Process
    Sketchbook

    Archives

    June 2021
    February 2021
    November 2020
    September 2020
    March 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    November 2018
    October 2018
    September 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • Gallery
    • Signs
    • Nature
    • People
    • Architecture
  • Thoughts